http://www.youtube.com/watch?v=NGnwRnvnJdI
This is the end
Beautiful friend
This is the end
My only friend, the end
Of our elaborate plans, the end
Of everything that stands, the end
No safety or surprise, the end
I'll never look into your eyes...again
Can you picture what will be
So limitless and free
Desperately in need...of some...stranger's hand
In a...desperate land
Lost in a Roman...wilderness of pain
And all the children are insane
All the children are insane
Waiting for the summer rain
There's danger on the edge of town...
last day of the rust never sleeps blog, i'll miss doing it, don't suppose anyone will miss me
part of another art installation on the island of Nao-Shima, Japan
Friday, 31 January 2014
Thursday, 30 January 2014
Wednesday, 29 January 2014
Tuesday, 28 January 2014
Monday, 27 January 2014
Sunday, 26 January 2014
rust 360 - door with 'porthole' window 2
... and then i came upon this, not only a metal door with a ''porthole' window but also with ivy clinging to it on the same side as yesterday's photograph
Saturday, 25 January 2014
Friday, 24 January 2014
Thursday, 23 January 2014
Wednesday, 22 January 2014
Tuesday, 21 January 2014
Monday, 20 January 2014
Sunday, 19 January 2014
rust 353 - clearing
this was to have been part of the second series of Antony
Gormley sculptures (didn’t manage to get to Gateshead or Peckham) this
sculpture is titled ‘clearing’
it is apposite that a sculpture by Antony Gormley is the
next blog photo after Richard Serra yesterday because in a recent interview in
New Statesman he is asked “who is the most influential artist of the
past 100 years?” and he answers: “as a sculptor and feeling that sculpture is
the most profound way in which our prejudice about the world can be challenged,
I think Richard Serra. His structures invite first-hand, somatic, haptic, direct
physical experience, bypassing our way of constantly reading things.”
Saturday, 18 January 2014
rust 352 - Passolini
part 4 of la biennale de Venezia 2013 series that never was
in the Giardini Pavilion, a great two-part Richard Serra
sculpture, titled Pasolini (after the
Italian film director), shares a space with recent, black seascapes by Belgian
artist Thierry de Cordier whose heaving seas have incredible presence and
visual weight, a kind of darkening finality
main photograph shows one part of Serra’s sculpture, the other part looks like this:
Friday, 17 January 2014
rust 351 - here art grows on trees
Simryn Gill, 'half moon shine' 2013.
mild steel, diameter 158cm.
Singapore-born artist Simryn Gill's new exhibition 'here art grows on trees' was on display in the Australian pavilion in the Giardini where the artist installed photographs, drawings and sculpture inspired by images of Australia’s pit mines, dams, lakes and waterholes
Thursday, 16 January 2014
rust 350 - English magic
in the British pavilion at the 2013 Venice bienalle ,
imaginary worlds emerged in Jeremy Deller’s “English Magic” which
focuses on British society - its people, icons, myths, folklore and its social,
cultural and political history; addressing events from the past, present and an
imagined future, Deller worked with a varied range of collaborators including
archiologists, musicians, bird sancturies, prisoners and painters
he strings together a narrative that manages to be both
critical yet positive and celebratory
the rooms are dotted with visual statements, images with intent,
in one, the figure of William Morris is imagined as a giant figure painted on
the wall as a colossus throwing a giant yacht into the Venice lagoon (based on
Roman Abramovich’s 377-foot yacht, Luna)
in another room, a
huge painting of a hen harrier carrying off a Range Rover in its talons refers
to the shooting of two hen harriers on Sandringham Estate in 2007 when the only
people out shooting that day were prince Harry and his friend William van
Cutsen , while next door, a timeline from 1972–3 of poignant political events
are interwoven with images from David Bowie’s Ziggy Stardust tour
the highlight of Deller’s intelligent project is his new film English Magic which includes footage of children rolling and somersaulting on the inflatable Stonehenge that he created in 2012, the footage then moves on to a balletic yet tough scene of two Range Rovers being crushed - all set to the infectious music of the Melodians’ Steel Orchestra from South London - one of the crushed Range Rovers (left) has been transformed into the seat (main photo)where visitors sit to watch the film of the Range Rovers being crushed
Deller frames instances in a way that is contemporary but
also true to the original subject, weaving a narrative that is almost
psychedelic; hovering delicately between fact and fiction, real and imagined
the exhibition tours England this year, the venues and dates are:
Bristol Museum and
Art Gallery, Bristol Saturday 12 April – Sunday 21 September 2014
Turner Contemporary,
Margate Saturday 11 Oct – Sunday 11 Jan 2015
Wednesday, 15 January 2014
rust 349 - Nema Ničega Između Nas
from the Serbian pavilion Nothing Between Us (Nema
Ničega Između Nas) at the 2013 Venice biennale by Vladimir Perić-
the wallpaper is made up of hundreds of razor blades meticulously glued into
place which from a distance looks like a precisely patterned wallpaper (left) it is
only upon closer inspection that one sees the razor blades
this particular piece is titled 3D wallpaper for bathroom
part
of la biennale de Venezia 2013 series that never was
this particular piece is titled 3D wallpaper for bathroom
Tuesday, 14 January 2014
rust 348 - not a condom shop
Willi Donnell Smith (February 29, 1948 – April 17, 1987) was
an American fashion designer, regarded at the time of his death as one of the
most successful young African-American designers in the industry - his company
Williwear sold $25 million worth of clothing a year
Willi died
unexpectedly at the relatively young age of 39 after contracting shigella and
pneumonia while on a trip to India, apparently as a result of AIDS, it is
suspected that Smith himself didn't know he had the disease, although those
around him knew he was fragile in his last days, most thought it was just that
Smith had pushed himself so hard, being such a perfectionist with his work
Monday, 13 January 2014
rust 347 - it was the dawning of the age of aquarius
like yesterday’s photograph, part of the garden equipment
series that never was - today a galvanised kitchen-garden water carrier at Myddelton House gardens, Enfield
Sunday, 12 January 2014
rust 346 - roll me over in the clover
part one of the garden equipment series that never was – a lawn-roller
in the gardens of the Henry Moore foundation, Perry Green, Hertfordshire
“roll me over in the clover" was a randy little number
that was hugely popular in England in 1944, although its history can be traced
back to the royal navy in Victorian times. the lyrics, for the time, were
extremely racy (sex wasn't mentioned much then)
elsewhere in the gardens...
Saturday, 11 January 2014
rust 345 - railing against the dying of the light
as well as being part of the burial ground series that never
was, yesterday’s photograph could also have been part of the rusty railings series
that never was, today’s rusty railings are outside the British Museum, London
Friday, 10 January 2014
rust 344 - a breeches maker of Moorfields
like yesterday, part of the burial ground series that never
was
this photograph was taken in Bunhill fields burial ground, an old burial ground in the London Borough of Islington, north of
the City of London, and managed by the City of London
it was used as a burial site for nonconformists
from the late 17th century until the middle of the 19th century and contains
the graves of many notable people including William Blake (another one of my ‘heroes’),
John Bunyan, Daniel Defoe, George Fox and Isaac Watts
the gravestone behind the rusty railings
is that of one Richard Coleman, born 1712, buried 1761, died aged 49 years 6
months, a breeches maker of Moorefields
Thursday, 9 January 2014
rust 343 - a poignant memorial to Nasra Ismail at the "Cross Bones" burial ground, Soutwark, London
Nasra Ismail, who was murdered in March 2004, was
unrecognisable from the loving mother and wife mourned by her family. the
27-year-old, a refugee from war-torn Somalia, was lost to them after she got
sucked into a squalid life of prostitution to fund her addiction to crack
cocaine
it was a sad, pathetic and horrific case which illustrated
the depths to which both the killer and his victim sank while in the grip of
crack addiction
a 55-year-old man, Daniel Archer, was jailed for life for
the murder of Nasra whose body he cut up and left in his brother's flat before
taking it on a bus and dumping it in a canal
Detective Superintendent Maureen Boyle, who led the police
inquiry, praised several women who gave evidence against him and said:
"Archer has shown himself to be a violent and manipulative sexual predator
who deliberately targeted vulnerable women; he targeted women who he believed
would be unable to speak out against him."
Cross Bones is a
post-medieval disused burial ground in The Borough, Southwark, south London, in
what is now known as Redcross Way.
it is believed to have been established originally as an
unconsecrated graveyard for "single women," a euphemism for prostitutes,
known locally as "Winchester Geese," because they were licensed by
the Bishop of Winchester to work within the Liberty of the Clink. the Liberty
lay outside the jurisdiction of the City of London, and as a consequence it
became known for its brothels and theatres, as well as bull and bear baiting,
activities not permitted within the City itself.
the age of the
graveyard is unknown - John Stow (1525–1605) wrote of it in A Survey of London
in 1598 calling it the "single Woman's churchyard." by 1769, it had
become a pauper's cemetery servicing the poor of St. Saviour's parish; up to
15,000 people are believed to have been buried there.
the historian and
antiquarian John Stow wrote: “I have heard of ancient men, of good credit, report that
these single women were forbidden the rites of the church, so long as they
continued that sinful life, and were excluded from Christian burial, if they
were not reconciled before their death. And therefore there was a plot of
ground called the Single Woman's churchyard, appointed for them far from the
parish church.”
it was closed in 1853 because it was "completely
overcharged with dead," and further burials were deemed "inconsistent
with a due regard for the public health and public decency." Southwark poet and playwright John Constable
writes that, in 1883, the land was sold as a building site, prompting an
objection from Lord Brabazon in a letter to The Times, asking that the land be
saved from "such desecration." Constable writes that the sale was
declared null and void the following year under the Disused Burial Grounds Act
1884, and that subsequent attempts to develop the site were opposed by local
people, as was its brief use as a fairground
excavations were
conducted on the land by the Museum of London Archaeology Service between 1991
and 1998 in connection with the construction of London Underground's Jubilee
Line. Southwark Council reports that the archaeologists found a highly
overcrowded graveyard with bodies piled on top of one another. tests showed
those buried had suffered from smallpox, tuberculosis, Paget's disease,
osteoarthritis, and vitamin D deficiency. a dig in 1992 uncovered 148 graves,
dating from between 1800 and 1853. over one third of the bodies were perinatal
(between 22 weeks gestation and seven days after birth). a further 11 percent
were under one year old. the adults were mostly women aged 36 years and older.
beginning in 1996, local writer John Constable revived the
story of Cross Bones as part of the Southwark Mysteries which is a cycle of poems and mystery
plays inspired, he writes, by the spirit of a "Winchester Goose"
and "the outcast
dead". the work has been performed in Shakespeare's Globe and in Southwark
Cathedral. interest generated by The Southwark Mysteries inspired the Cross
Bones Halloween festival, celebrated every year since 1998 with a procession,
candles and songs
the burial ground is now
established as a site of local importance: Southwark Council nominated it for a
blue plaque in 2005. an informal local group, Friends of Cross Bones, is
campaigning for a permanent memorial garden, and is instrumental in the
halloween events. the gates in Redcross Way are permanently decorated by a
changing array of messages, ribbons, flowers and other tokens, like that for Nasra Ismail
Wednesday, 8 January 2014
Tuesday, 7 January 2014
rust 341 - back on the chain gang
perhaps a bit like blog photo for 18 February 2013 but i
think this one has a better quality of light and, like many of my favourites, i
took the photograph in Vernice
Monday, 6 January 2014
rust 340 - not quite in the pink
like yesterday part of “the wall” series or, unlike
yesterday part of the “abstract” series, either way it’s another one of my
personal favourites and like many of them another minimalist picture
Sunday, 5 January 2014
Saturday, 4 January 2014
rust 338 - going against the grain
today’s picture is from the “rusty parts of a door” series
but is also, like yesterday, one of my
special photographs – i really like the way the grain and the knots weave their
way along the door
Friday, 3 January 2014
rust 337 - still waiting...
this is the last month of the rust never sleeps project –
i’m sure i shall be inundated with requests to continue and to quote
Samuel Beckett ( a hero of mine) “you
must go on, I can’t go on, so I’ll go on”
yurs, anyway – the last month and i have decided to blog
pictures that were meant to be part of one series or another but I never got enough
to finish the series and have seven loosely connected photographs or, and this
may sound odd, the photographs were in some way so different that i wanted to
keep them for a special occasion – and what can be more special than the road
at evening, a tree and Estragon, sitting on a low mound, trying to take off his
boot? his boot mark can be seen in today's photograph
i kick off with one from either the "footplate" series or perhaps the "abstract" series
Thursday, 2 January 2014
Wednesday, 1 January 2014
prosaic 6 - old enamel advertising sign, St Ives, Cornwall
as i mentioned yesterday i don't just do rust, for a while i had a series of photographs of the cringingly awful 'wayside pulpits' that are outside some churches and chapels - you know the sort of thing: "the only thing missing from chrch is you"
anyway yesterday i came across one i'd not seen before and it seemed to fit in well with today's dog theme so - get ready to cringe here it is:
wishing you all a happy 2014 - woof!
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